Wednesday, June 22nd, 2011

As Part of Artology: the Fusion of Art and Science at Cranbrook

January 25, 2010 by All Art News  
Filed under Art Events & Exhibitions

BLOOMFIELD HILLS, MI.- —”Cape Farewell – Art & Climate Change” — the second exhibition in the series Artology: the Fusion of Art and Science at Cranbrook –explores the most challenging environmental issue of this century and is making its North American début at Cranbrook Institute of Science on January 31, 2010.

Created by the artist David Buckland in 2001, the Cape Farewell project is widely acknowledged to be the most significant sustained artistic response to climate change anywhere in the world. “Art & Climate Change” brings together specially commissioned work from the artists who have voyaged with Cape Farewell on the 100 year-old sailing schooner, the Noorderlicht. Over the course of three expeditions in 2003, 2004 and 2005, the artists traveled to Spitsbergen and the Svalbard Archipelago in the Artic. Inspired by the work of the on-board climate scientists and having experienced the effects of climate change in this cruel but fragile environment, each of the artists has responded in a unique way.

David Buckland Ice Text 2005. Courtesy of Cape Farewell Projects 580x388 As Part of Artology: the Fusion of Art and Science at Cranbrook
David Buckland, Ice Text, 2005. Courtesy of Cape Farewell Projects

Internationally renowned artists with work in the “Cape Farewell” exhibition include: Heather Ackroyd & Dan Harvey, Kathy Barber, David Buckland, Peter Clegg, Siobhan Davies, Gautier Deblonde, Max Eastley, Nick Edwards, Antony Gormley, Alex Hartley, Michele Noach, and Rachel Whiteread. Through images, sound, sculpture, dance and the power of the word, their work expresses the wonder of nature together with the drama of destruction. A truly collective endeavor, the “Cape Farewell” exhibition engages and inspires audiences to participate in our shared future. The common message of the exhibition is that while we mourn the loss of our natural environment, we still are inspired to create and change the way we live in a bid to save it.

In its North American première at Cranbrook, “Cape Farewell” already has had substantial success at international venues, seeing attendance of over a quarter of a million people at Natural History Museum in London and over 45,000 at The National Museum of Emerging Science and Innovation, Tokyo.

The Cranbrook Institute of Science has developed a complementary exhibit entitled “The Changing Earth,” to enhance the Cape Farewell experience. Covering the history of large-scale environmental changes as recorded in ice and sediment cores from Antarctica, Greenland and the glacial landscape of southeast Michigan, a special component of this exhibition about abrupt climate change examines the fate of the extinct American Mastodon community. Fossils from the Institute’s collections and other local Universities, as well as artifacts of Paleo-Indian mastodon hunters found in southeast Michigan, are featured. Visitors will have the opportunity to do their own analysis of a sediment core and directly examine rocks and fossils that tell the story of past climate shifts. The centerpiece of the exhibit is an assessment of the human footprint on planet Earth and how, for the first time in Earth’s history, humanity has emerged as a major agent of large-scale climate and environmental change and–closer to home–how global warming could affect the Great Lakes. A live and extinct fossil reef display in the exhibition emphasizes how climate change and human activity are pushing modern coral reefs to extinction.

“Cape Farewell: Art & Climate Change,” is the second exhibition in the Artology series collaborative between Cranbrook Institute of Science and Cranbrook Art Museum. Artology focuses on creating visual and experiential examples of the ways in which art and science frequently parallel or complement each other and offers exhibits and related lectures, films, and field trips that simultaneously immerse museum visitors in the arts and the sciences. While Cranbrook Art Museum is closed to the public for construction, art exhibitions at the Institute will be paired with related topical scientific artifacts, objects and specimens from the Institute’s collection to illustrate the Artology concept. A Cranbrook-designed Artology logo visually designates related events and activities.

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  3. Aspen Mays Explores the Relationship Between Science and Photography
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  5. Andrew Carnie’s “Pictures of the Body through Science” at GV Art Gallery

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