Friday, November 13, 2009

The Ashmolean Museum of Art and Archaeology opens to public

November 9, 2009 by All Art  
Filed under Art Museums & Galleries, Featured

OXFORD (REUTERS).- T.E. Lawrence’s Arab dress, an entire Japanese tea house and the best Aegean history collection outside Greece will be star exhibits when Britain’s oldest public museum has re-opened . The Ashmolean Museum in Oxford will swing wide its doors after a multimillion pound renovation, which has seen the museum closed to the public for the last 10 months. The refurbished Ashmolean comprises 39 new galleries, including four temporary exhibition galleries, a new education center and state-of-the art conservation studios. The Ashmolean will, at long last, have a world-class building to match its world-class collections.

The building, designed by award-winning Rick Mather Architects, not only doubled the Ashmolean’s display space, but also offered the opportunity to completely redesign the presentation of the museum’s artifacts.

ashmoleanmuseum 590x393 The Ashmolean Museum of Art and Archaeology opens to public“From the outset, our ambition has been to create not just an improved and expanded version of Britain’s oldest public museum, but something significantly different in kind: a new way of showcasing the Ashmolean’s remarkable collections, for the benefit of the widest possible audience,” Christopher Brown, Director of the Ashmolean told Reuters.

The Ashmolean has called its display strategy “Crossing Cultures Crossing Time,” and says it is based on the idea that the civilizations which shaped our modern societies developed as part of an interrelated world culture, rather than in isolation. Thematic galleries now connect activities and objects common to different cultures, such as money, reading and writing, and the representation of the human image.

Ashmolean japan201600 1850 590x393 The Ashmolean Museum of Art and Archaeology opens to publicProject Director Henry Kim said that strange things used to happen when navigating the old museum. “You’d go through Egypt and end up in Worcester Porcelain, which was just absolutely absurd,” he said. “Now we’ve gone back to this idea of studying objects cross-culturally, where you join cultures that actually have meaning next to each other; the Islamic world next to the Mediterranean, the Mediterranean next to India. You can take collections and make them talk to one another.”

The museum’s galleries are designed to facilitate this cross-cultural perspective. The use of both single- and double-height galleries and large glass showcases allows visitors to look through one gallery to another. “Now the quality of the architecture finally matches the quality of the collections,” Kim said. “One thing I’ve noticed is that the Ashmolean of old was very uncomfortable with doing things dramatically,” said Kim. “Now we can do drama.”

Ashmolean Museum_islamicartSupported by the Heritage Lottery Fund, the Ashmolean is currently undergoing a £61 million redevelopment. Award-winning architect Rick Mather has designed a new building to replace all but the Grade I listed Cockerell building. His design will double the existing gallery space, allow environmental control, and create a dedicated Education Centre and conservation facilities. Working in partnership with designers section”>Metaphor, the Ashmolean’s curatorial staff are planning a number of innovative new approaches to the display of the Museum’s objects.

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